For those unfamiliar with “pan and scan”, this horrid process of cinematic cultural vandalism was standard procedure in the era of low-res television, whereby widescreen images (with aspect ratios typically 1:85:1 or 2:35:1) were cropped to fit the whole of the 4:3 television screen. This proved particularly damaging to scope formats (2:35:1, or at times even wider), resulting in o…